American Journalist: Hello, they said you were on the beach. Thank you for granting this interview. Edith Piaf: My pleasure. American Journalist: It’s odd to see you so far from Paris. Edith Piaf: I’m never far from Paris. American Journalist: I’ve a list of questions. Answer whatever comes to mind. Well…what’s you favorite color? Edith Piaf: Blue American Journalist: What’s your favorite dish? Edith Piaf: Pot Roast. American Journalist: Would you agree to live a sensible life? Edith Piaf: It is already the case American Journalist: Who are your most faithful friends? Edith Piaf: My true friends are my most faithful. American Journalist: If you could no longer sing…? Edith Piaf: …I could no longer live. American Journalist: Are you afraid of death? Edith Piaf: Less than solitude. American Journalist: Do you pray? Edith Piaf: Yes, because I believe in love. American Journalist: What is your fondest career memory? Edith Piaf: Eve...
Suddenly he was standing on short springy turf, on a summer evening when the slanting rays of the sun gilded the ground. The landscape that he was looking at recurred so often in his dreams that he was never fully certain whether or not he had seen it in the real world. In his waking thoughts he called it the Golden Country. It was an old, rabbit-bitten pasture, with a foot-track wandering across it and a molehill here and there. In the ragged hedge on the opposite side of the field the boughs of the elm trees were swaying very faintly in the breeze, their leaves just stirring in dense masses like women's hair. Somewhere near at hand, though out of sight, there was a clear, slow-moving stream where dace were swimming in the pools under the willow trees. ~1984 (George Orwell)
I've always felt that the perfomance of a raag resembles a novel - or at least the kind of novel I'm attempting to write. You know,' he continued, extemporizing as he went along, 'first you take one note and explore it for a while, then another to discover its possibilities, then perhaps you get to the dominant, and pause for a bit, and it's only gradually that the phrases begin to form and the tabla joins in with the beat... and then the more brilliant improvisations and diversions begin, with the main theme returning from time to time, and finally it all speeds up, and the excitement increases to a climax.' ~ A Suitable Boy , by Vikram Seth
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